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#SHAMELESS SHOW GAY BAR SONG SEASON 3 TV#
Seasons 1-3 on Netflix Season 4 on PopTV (with cable login), YouTube TV, fuboTV or Hulu with Live TV Set in 1832 Yorkshire, England, this show tells the story of Anne Lister ( Suranne Jones) and is inspired by the real- life landowner and industrialist and her life as a butch-presenting gay woman when it was nowhere near acceptable to be either.
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If you like a queer period drama, this one is for you. Season 1 on Hulu (with add-on), HBO and Amazon Prime Fortunately, GLOW continues to take a far more nuanced approach to his character than this, exploring instead how shame and fear can impact someone's sense of self without ever rushing things or judging Bash for his actions.So, celebrate Pride with these 40 LGTBQ+ TV shows. In season three, it would have been easy for the writers to simply out Bash as 'gay' or end his story in tragedy like so many similar storylines have done before. Desperate to avoid the threat of AIDS and any other dangers associated with queerness in the '80s, Bash then proposed to Rhonda Richardson (Kate Nash) in the season two finale precisely because of this. Last season, the death of his close friend forced Bash to confront some uncomfortable truths and the way that Florian died pushed him even further back into the closet.
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While Yolanda merely hides her sexuality in public (something which is especially understandable given the '80s setting), Bash Howard (Chris Lowell) actively hides from himself, refusing to accept that he may not be as straight as he wants to be. It was just less visible back then.Įven Yolanda's character hides who she really is in public, despite all of her brash confidence, and this should remind viewers that even members of the LGBTQ+ community who openly embrace their identity often feel pressure to be careful and self-monitor their behaviour in fear of attack or reprisal. Such concerns with fluidity and labels are far more modern than the era in which GLOW is set, but that doesn't mean people in the '80s weren't grappling with identity in this way still.
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In this case, the sex on display revealed Arthie's inability to accept her sexuality as an integral part of her identity, particularly in relation to her racial heritage. Scenes like the one where Arthie is reluctant to go down on Yolanda advance the story in a meaningful way. One need look no further than the sex scene Arthie and Yolanda share early on to see that their relationship isn't treated differently to any other on the show. GLOW season 3 star talks Geena Davis role in Vegas However, the kiss they shared in the season two finale helped set up a more substantial storyline for the pair in season three, which dove off the ropes headfirst to explore what queerness means in the Ronald Reagan era.Īfter struggling with racial stereotypes in the ring throughout season two, Arthie begins to question what it means to be an LGBTQ+ woman of colour in season three, resisting Yolanda's efforts to label her as just one thing.Īside from Pose, few mainstream shows are willing to explore the complicated intersection between race and sexuality like this and fewer still treat their LGBTQ+ subjects with such respect. Despite this, LGBTQ+ storylines were still sidelined for the most part in favour of other issues and themes.Įven when Yolanda and Arthie starred together in a gorgeous La La Land-style dance sequence, this focus on LGBTQ+ women of colour still felt like the exception rather than the rule. Season two started to introduce some LGBTQ+ elements, most notably with the arrival of Yolanda 'Junkchain' Rivas (Shakira Barrera) and her attraction to Arthie 'Beirut the Mad Bomber' Premkumar (Sunita Mani).